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TC99-530: Cruet set
Spice box for cruet set
TC99-530: Cruet set

Spice box for cruet set

Date1721-1722
Marked by Paul Crespin (1694 - 1770)
MediumSilver (Britannia)
DimensionsOl: 2 11/16"; OW: 2"; OH: 1 3/16"
Credit LineMuseum Purchase
Object number1979-399,2
DescriptionSmall silver double spice box of rectangular plan with canted corners; double cover with raised central hinge and elaborate chiselled and chased hunting-related scenes to either side of hinge; similar bandings and moldings as on casters and cruets at rim of cover and base of box; short vertical sides of box chiselled and chased with water scenes of ducks.
Label TextGrand in concept and exquisite in execution, this magnificent cruet stand is without parallel in English silver. No other English cruet stand of this salver form is known, not even a salver with this degree or type of decoration, not to mention the casters, cruets, and double spice box. Its hunting and fable scenes, as well as its elaborate scrollwork, are deeply chiseled and chased in a most unusual manner for English silver. Crespin has effected a rare and masterful integration of architectural organization and forms with lyrical elaboration and detail, enticing and assisting the eye to move across this ordered landscape of extraordinary beauty and evocation.


Of Huguenot descent, Paul Crespin (1694–1770) was born and trained in London. He enjoyed the patronage of aristocracy both at home and abroad. In 1724, he produced an enormous silver bathtub weighing over 6,000 ounces for the King of Portugal. Although quite modest in scale, each of the works shown here is characterized by an exquisite use of finely detailed ornament. The cruet set has been compared to a miniature formal garden in its overall design.
MarkingsUndersides of box, casters, and cruets partially marked with multiple strikings of the sponsor's mark to simulate hallmarks; covers of each unmarked
ProvenanceFebruary 1, 1995, in discussion with Edward Firestone of Firestone and Parson, Boston, the dealer from whom CWF acquired this object, he mentioned that the set had been in Harold Wilson's possession for several years, Wilson having bought it from S. J. Phillips, the London dealer. According to Firestone, Phillips acquired it in Portugal, where Crespin was heavily patronized by the crown and court.