Femme de Fourbisseur (female sword cutler)
DateCa. 1730
Engraver
Martin Engelbrecht
After work by
P.A. Degmeir
MediumHand colored etching and line engraving
DimensionsOverall: 14 × 8 1/2in. (35.6 × 21.6cm)
Other (plare to marks including title): 12 1/2 × 8in. (31.8 × 20.3cm)
Other (plate alone): 10 1/4 × 7 1/4in. (26 × 18.4cm)
Credit LineMuseum Purchase
Object number1955-150,8B
DescriptionUpper left corner reads: "52"Lower margin reads: "Femme de Fourbisseur. / Eine Scwerdfegerin./ 1. 2 petits Sabres. 1. 2 Kleine Säbel. 2. fleurets. 2. Rappier. 3. poignard. 3. Dolchen. 4. poi/ gnées. 4. Griffe. 5. platinés . 5. Stichblasser. 6. boutons. 6. Knopffe. 7. grade d'epées. 7. Degen/ Creuz. 8. lames d'epées. 8. Degen Kinge. 9. épées nues. 9. Bloke Dege. 10. Couteaux de chasse. / 10. Dirschfanger. 11. une vielle Epée. 11. ein altes schwerd. 12. Sabre. 12. ein Sable. / P.A. Degmeir fecit/ Cum. Priv. Maj./ Mart. Engelbrecht exc. A.V."
Label TextMartin Engelbrecht’s mid-18th century publication on trades included both a male and female illustration of each trade or profession in creative ways. Though they represent the tools that tradesmen used and the products they produced, they were meant to entertain elite audiences rather than inform about the labor involved in these trades or professions.This print represents an idealized version of a sword cutler. She carries the tools and products of the trade on her person as follows: 1. (on head) 2 petits Sabres (2 small sabers); 2. (in right hand) fleurets (foils); 3. (in left hand) poignard (daggers); 4. (voer shoulder) poignees (handles for swords); 5. (over right arm) platines (locks of fire arms); 6. (over right arm) boutons (gun sights) 7. (on chest) garde d'epees (sword guards); 8. (at waist) lames d'epees (blades of swords); 9. (at waist) epees nues (bared swords); 10. (at waist) Couteaux de chasse (knives for hunting); 11. (at waist) une vielle Epee ( an old sword); 12. ( at waist) un Sabre ( a saber).
This print is from a series of 189 engravings consisting prints featuring depictions of tradesmen in the format known as composite figures, which are human figures made up of objects. Sometimes various accoutrements or tools are cleverly incorporated into recognizable garments or even replace body parts. Each plate represents different trades by trades men and women dressed with associated tools and products. They do not represent actual tradespeople nor are they meant to suggest that women participated in these trades, though in some cases they may have.They were designed by Johann Jacob Stelzner (1706-1780), C.F. Horstman and M. Rosler. They were etched by Martin Engelbrecht ( 1684–1756). The series was published in a compilation known as, From Martin Engelbrecht, "L' Assemblage nouveau des manouvries habilles or Neu-eröffnete Sammlung der mit ihren eigenen Arbeiten und Werkzeugen eingekleideten Künstlern, Handwerkern und Professionen," (Augsburg, Germany, ca. 1730).
Ca. 1730
Ca. 1730
Ca. 1730
Ca. 1730
Ca. 1730
Ca. 1730