Une Cordiere (rope-maker)

DateCa. 1730

Engraver Martin Engelbrecht

MediumHand colored etching and line engraving

DimensionsOverall: 14 × 20in. (35.6 × 50.8cm) Other (plate to marks including title): 12 × 7 3/4in. (30.5 × 19.7cm) Other (plate alone): 10 1/2 × 7 1/2in. (26.7 × 19.1cm)

Credit LineMuseum Purchase

Object number1955-150,12B

DescriptionUpper right corner reads: "70"
Lower margin reads: "Une Cordiére./ Die Seilerin./ 1. Chaudron à huile. 1. Ohl Käßel over sur Wagenschmier. 2. toute sorte de fi/ celles. 2. allerlen Bind und näh faden. 3. Etoupes. 3. Werckh 4. Corde à puits. 4./ Brunnen Seil. 5. Corde. 5. Strickhe./ Cum Priv. Maj./ Mart. Engelbrecht excud. A.V."
Label TextMartin Engelbrecht’s mid-18th century publication on trades included both a male and female illustration of each trade or profession in creative ways. Though they represent the tools that tradesmen used and the products they produced, they were meant to entertain elite audiences rather than inform about the labor involved in these trades or professions.This print represents an idealized version of a female rope maker. She carries the tools and products of that trade on her person as follows: 1. (on head) Chaudron a huile (kettle for oil); 2. (around neck) toute sorte de ficelles (several sorts of twine); 3. (under right arm) Etoupes (oakum); 4. (around skirt) Corde's puits (cords for wells); 5. (around skirt) Corde (rope).

This print is from a series of 189 engravings consisting prints featuring depictions of tradesmen in the format known as composite figures, which are human figures made up of objects. Sometimes various accoutrements or tools are cleverly incorporated into recognizable garments or even replace body parts. Each plate represents different trades by trades men and women dressed with associated tools and products. They do not represent actual tradespeople nor are they meant to suggest that women participated in these trades, though in some cases they may have.They were designed by Johann Jacob Stelzner (1706-1780), C.F. Horstman and M. Rosler. They were etched by Martin Engelbrecht ( 1684–1756). The series was published in a compilation known as, From Martin Engelbrecht, "L' Assemblage nouveau des manouvries habilles or Neu-eröffnete Sammlung der mit ihren eigenen Arbeiten und Werkzeugen eingekleideten Künstlern, Handwerkern und Professionen," (Augsburg, Germany, ca. 1730).