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Direct scan of object
Chaudronnier (coppersmith)
Direct scan of object

Chaudronnier (coppersmith)

DateCa. 1730
Engraver Martin Engelbrecht
MediumHand colored etching and line engraving on laid paper
DimensionsOverall: 14 × 8 1/2in. (35.6 × 21.6cm) Other (plate to marks including title): 12 1/4 × 8 1/4in. (31.1 × 21cm) Other (plate alone): 10 1/2 × 7 3/4in. (26.7 × 19.7cm)
Credit LineMuseum Purchase
Object number1955-150,15A
DescriptionUpper right corner reads: "75"
Lower margin reads: "Chaudronnier. Ein Kupfferschmid./ 1. Un Bassin. 1. ein Beckhen. 2. une passoire. 2. ein Durchschlag. 3. un marteau. 3. ein hamer. 4./ un poële. 4. ein Pfanne. 5. Chaudron à reservoir. 5. ein (?)ilch Keßel. 6. pots à l'eau. 6. Zmen Schenckh./ Kanen. 7. un contoir. 7. ein Zahl Bret oder Blaff. 8. un basin pour la Saignée. 8. ein Aberlaß Beckhen./ 9. autre pot. 9. ein Kanne. 10. Chaudiére. 10. große keße(?). 11. Cuvette à l'Eau. 11. Waßer. gefaß od geschirr./ 12. un Sceau. 12. Waßer Enmer. 13. tablier de peau. 13. Das schurzfeff(?)./ Cum Priv. Maj. / Mart. Engelbrecht excud. A.V."
Label TextMartin Engelbrecht’s mid-18th century publication on trades included both a male and female illustration of each trade or profession in creative ways. Though they represent the tools that tradesmen used and the products they produced, they were meant to entertain elite audiences rather than inform about the labor involved in these trades or professions.This print represents an idealized version of a coppersmith. The Chaudronnier is the coppersmith, (pot maker). He carries the products of that trade on his person as follows: 1. (on head) un bassin (a basin); 2. (round neck) une passoire (a sieve); 3. (hanging from left coat lapel) un marteau (hammer); 4. (in right hand) une poele (a frying pan); 5. (over right arm) Chaudron a reservoir (large pot for washing); 6. (hanging from waist) pots a l'eau (pots for water); 7. (hanging from waist) un contoir (a mold); 8. (hanging from neck) un bassin pour la Saignee (basin for bleeding); 9. (in left hand) autre pot (another pot); 10. (on ground) Chaudiere (large pots); 11. (on ground) Cuvette a l'eau (vat for water); 12. (on ground) un Sceau ( a bucket); 13. (round waist) tablier de peau (leather apron).

This print is from a series of 189 engravings consisting prints featuring depictions of tradesmen in the format known as composite figures, which are human figures made up of objects. Sometimes various accoutrements or tools are cleverly incorporated into recognizable garments or even replace body parts. Each plate represents different trades by trades men and women dressed with associated tools and products. They do not represent actual tradespeople nor are they meant to suggest that women participated in these trades, though in some cases they may have.They were designed by Johann Jacob Stelzner (1706-1780), C.F. Horstman and M. Rosler. They were etched by Martin Engelbrecht ( 1684–1756). The series was published in a compilation known as, From Martin Engelbrecht, "L' Assemblage nouveau des manouvries habilles or Neu-eröffnete Sammlung der mit ihren eigenen Arbeiten und Werkzeugen eingekleideten Künstlern, Handwerkern und Professionen," (Augsburg, Germany, ca. 1730).