The RIVAL MILLENERS.
Date1772
After work by
John Collet (1725?-1780)
Engraver
Robert Laurie
Publisher
Robert Sayer (1725-1794)
OriginEngland, London
MediumMezzotint on laid paper
DimensionsOverall: 10 5/8 × 14 1/2in. (27 × 36.8cm)
Other (Plate): 9 7/8 × 13 1/4in. (25.1 × 33.7cm)
Credit LineMuseum Purchase
Object number1955-125
DescriptionThe lower margin reads: "John Collet pinx.t/ Rob.t Laurie fecit./ Publish'd as the Act directs, 2.d March 1772./ The RIVAL MILLENERS./ From Sarah Woodcock, to the Girl,/ That's doom'd the humble Mop to twirl,/ All Milleners delight in show,/ And cry__'Tis will have that Beau./ Printed for Rob.t Sayer, N.o 53 in Fleet Street, London."Label TextMilliners made accessories for men’s and women’s wardrobes such as ruffles, caps, and aprons. In the American Colonies, milliners imported a variety of fashionable wares in addition to the items they made. They retailed imported fancy goods like tea, gloves, fans, jewelry, and stockings.
Though meant to be a satire on courtship, this print also shows how shopping became a pastime rather than a necessity in the 18th century. The customer is seated in a comfortable chair while the milliners wait on him. Part of this individualized experience included being shown boxes of wares and possibly being served refreshments with tea or coffee. In Williamsburg, milliner Margaret Hunter had an enslaved woman who was a fine pastry chef.
This verse and the title suggest that milliners, often young unmarried women, were flirtatious and in search of husbands. It refers to Sarah Woodcock, who was a milliner in Tower Hill, London. In 1768, she accused Frederick Calvert, the 6th Baron Baltimore, of abduction and rape. Baltimore, who had a reputation for womanizing and kept many mistresses, was acquitted because the court decided Woodcock had not made efforts to escape.
1810-1825
April 29th, 1834 (dated)
1824-1828 (range of the entires in the album).
1760
November 28, 1772
Ca. 1760
August, 1833 (dated)